Eurydice by  Sarah Ruhl

As the Technical Director for the production, it was my job to make sure that the set was constructed in a way that was safe for actors to move freely up and down it. I created a diagram showing the placement of all of the understructure, along with creating labels for each different size stud wall. The set also included a trap door that was rigged to swing up and allow for actor exits, and included 7 rigged, flown rings that would come in and out throughout the performance.